Sony's Broadcast Camera Workflow for Stadium Production
Live production and broadcast workflow for sports television and streaming.
CN
Chris Navarro
Staff WriterLive Production Correspondent · Sports Media Beat
Chris Navarro covers the live production beat for Sports Media Beat, the independent trade publication tracking rights deals, streaming strategy, broadcast technology, and executive moves across the sports media industry. Chris's reporting focuses on the business decisions shaping how sports content is produced, distributed, and monetized globally.
4
Articles
3
Beats
Recent Articles
Broadband Infrastructure: A New Frontier for Live Sports Broadcasting
As the demand for high-quality live sports broadcasting continues to grow, the importance of reliable broadband infrastructure cannot be overstated. In this art
Wisycom MPR60, MATF, and PFL RFoF Box Target Stadium-Scale Wireless for World Cup and OB Fleets
Wisycom's updated MPR60 IFB receiver, MATF wideband antenna matrix, and PFL portable RF-over-fiber box give sports RF crews denser multichannel IFB, consol
Ross Video and Harmonic Power FOX Sports' 940-Hour Continuous FIFA World Cup Digital Feed
FOX Sports Digital is running a non-stop World Cup companion channel across YouTube, its app, and Tubi for 39 tournament days, anchored by a Los Angeles studio built around Ross Video switching, Harmonic cloud playout, and HBS ancillary fee